Editionable

Edition Twelve · thirty-one works · live now

Strictly limited · living artists · published numbers

Small editions from living artists, with the numbers left in.

Every work here is an edition of 40 or fewer, printed by a named studio, signed by the artist. We publish the edition size, the printer, the paper and exactly what the artist is paid.

Browse the current edition

Instalments from £75/month

A hung gallery wall of framed editions at mixed scale

Low Tide, Six

Marta Osei · edition of 25 · £420

18

of 18

Nightshift

Ilya Behar · edition of 18 · £380

40

of 40

Pale Orchard

Rae Nwosu · edition of 40 · £240

Macro detail of a giclée print showing paper grain and ink

Kiln Field

Tomas Reidy · edition of 12 · £760

30

of 30

Blue Hour Study

Ana Vidal · edition of 30 · £295

22

of 22

Corner Shop, 6am

J. Okonkwo · edition of 22 · £450

An artist at work in a daylit studio, prints drying on the wall

Sixteen Windows

Lise Marchand · edition of 35 · £330

15

of 15

Green Room

Hal Whitmore · edition of 15 · £540

8

of 8

The Long Field

Nia Prosser · edition of 8 · £1,180

Every edition, with the size and the artist's share printed next to it.

Typical work: edition of 25, giclée on Hahnemühle 308gsm, printed at Trace Studio, London. Retail 420. The artist receives 231.

Work

Edition

Printer · paper

Retail

Artist gets

Low Tide, Six

Marta Osei

25 of 25 left

Trace Studio · Hahnemühle 308gsm

£420

£231

Kiln Field

Tomas Reidy

4 of 12 left

Bench & Rule · Somerset Velvet

£760

£418

Blue Hour Study

Ana Vidal

19 of 30 left

Trace Studio · Canson Rag 310gsm

£295

£162

The Long Field

Nia Prosser

2 of 8 left

Ardal Press · cotton rag, hand-torn

£1,180

£649

The artist's share is 55% of retail, paid within fourteen days of sale. Printing, framing, shipping, insurance and our own margin come out of the rest, and we will show you that breakdown for any work if you ask for it.

Macro detail of a giclée print showing paper grain and ink

Giclée on 308gsm cotton rag, photographed at 4×. The tooth of the paper is the reason a print does not look like a poster.

For people who have never bought one

How an edition works

An edition is a fixed number of prints, made once, signed and numbered, then the file is retired. It is not a poster and it is not a unique painting, and the price sits honestly between them.

01

The artist fixes the number

Twelve, twenty-five, forty. Whatever it is, it is decided before a single sheet is printed and it never moves.

02

A named studio prints it

One press run, one paper, one batch of ink. We publish the studio and the stock so you can go and ask them yourself.

03

The artist signs and numbers it

In pencil, in the margin: 7/25. Your number is yours and it is recorded against your name.

04

The file is retired

No second run, no larger version later, no open edition of the same image. The number on the paper stays true.

A hung gallery wall of framed editions at mixed scale

Framing, hanging, and what a print actually looks like at home

Buy it unframed and take it to a framer, or add our oak or black frame with museum glass for 95. We ship framed works in a crate and we have broken two in three years.

Hang it like this

Centre at 145cm from the floor, a hand's width above a sofa back, and give a small work more wall than you think it needs. Museum glass kills reflections; north light is kindest to paper.

The artists, and how we choose them

One in forty

We take on roughly one artist in forty who approaches us, and we go and see the work in person before we do. Artists keep every right except the edition itself.

No exclusivity clauses, no first refusal on future work, no clause that follows them to a gallery. When an edition sells out, the relationship is finished unless both of us want another one.

An artist at work in a daylit studio, prints drying on the wall

Returns, condition and resale

Returns

Fourteen days, no reason needed, we pay return shipping. If you get it home and the room says no, that is a completely legitimate reason.

Condition

Every work is checked against the studio proof, logged with its number, and shipped flat under tissue in a rigid box, or crated if it is framed.

Resale

We keep the register, so we can confirm your number and its condition to a buyer years from now. We take nothing when you sell it on.

Four payments

No interest · no credit check · no lender

Split anything over 300 into four monthly payments with no interest and no credit check, because it is our money at risk, not a lender's.

Today

£105

Month two

£105

Month three

£105

Month four

£105

Example shown on a £420 edition. The work ships on the first payment, not the last.

Edition Twelve closes when it sells out

Thirty-one works, none of them printed twice.

Numbers, printers and artist shares published on every one. Fourteen days to change your mind, and we pay the return shipping.

Browse the current edition

Editionable — editions of 40 or fewer, from living artists.

London · hello@editionable.example